- It is here, in this villa, that I decide how life works for me once and for all. A definitive statement that will certainly cause me to cringe at a later date, but I really felt it. (I do cringe at a later date, if you were wondering – future me)
- The totality of my time and attention since moving has been consumed by helping Kitty acclimate to her new environment and making this place baseline livable. Both required much more bandwidth than I could have anticipated. Kitty had only ever known one home; all eight years of her little cat life were lived at the hotel. She’s also really sensitive and wildly territorial, so it’s not surprising she was a bundle of anxiety and nerves for the first handful of days…but also curious. Trying to make sense of where she was, she’d express interest in exploring. Any slight sound or sudden movement sent her shimmying behind a bolster, where she’d stay for hours. Eventually, she sniffed every square inch of the villa and garden with me by her side, so obviously needed to move on to the neighbors’ yards and surrounding areas. This morning, upon waking, she headed straight out the front gate, and for the first time, I didn’t follow her.
- As far as making this place liveable goes, let’s just say that although this joglo is abundant with beautiful Balinese design and surrounded by a vibrant garden overflowing with plants and flowers of too many varieties to count – it’s a bit rustic in a lot of ways and living in such close proximity to nature presents challenges one couldn’t anticipate unless you’d actually done it (which we hadn’t). I feel a little bit like Diane Lane’s character in Under the Tuscan Sun, when the shutters on her ramshackle villa are banging violently during a thunderstorm with rain pouring in, pigeons roosting in her bedroom, faucets working at random, tasked with making her new house a home.
- A few specific smells and sounds are quintessentially Bali to me. Wafting incense, bonfires (of burning trash), temple chanting, and rake brooming. The latter I used to associate specifically with little old Asian ladies. Every morning like clockwork, they emerge onto the street, hunched over, flicking their inconveniently short bundles of coconut sticks that had been fashioned into brooms. Scrape, scrape, scraping on the pavement. I never really understood why all the raking (it seemed kind of obsessive to me)… until I moved into this villa. I now have a Plumeria tree that, all day, every day, sheds pieces of itself onto my yard. So much so that it’s a wonder it has any leaves or flowers left on its branches. Every morning, I collect the newly dropped flowers for a bowl that sits on my bathroom sink (they’re so fragrant), and as I’m contorted into a U-shape raking up plumeria leaves with my coconut broom, it’s clear that I’ve turned into an old Asian lady.
- Chop wood, carry water. This seems to be the theme of my new era, and honestly, I’m here for it. There’s something ultra satisfying about projects that require the use of my body, and not just my mind. It’s quite a contrast going from living in a hotel where everything was taken care of to a home with 3000 square feet of villa and garden to tend to. I’m domestic goddessing my ass off and couldn’t be happier about it.
I’m meandering by nature, so was delighted to learn that the polished, orderly performance we know today as ‘the essay’ had more humble and dare I say, messy, beginnings. Nearly 500 years ago, french philosopher Michel de Montaigne took the word ‘essai’ — a common verb meaning ‘to try’ — and used to it to describe his unfinished, fluid, and experimental written wanderings; accidentally creating an entirely new literary genre in the process. To continue in the spirit in which he began, these are my attempts at trying out my own thoughts on digital paper, a stab at capturing my human experience, an abstract self-portrait made of words.